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SYNTAX (1​-​12)

by bonkoloid

supported by
centralfocus
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centralfocus This is fantastic! I haven't completely digested it all yet but wow!
rice9000
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rice9000 why the fuck this shit GO so hard?!? Favorite track: yuto BLOODLINE x[----]x.
scyphozoa
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scyphozoa the best christmas gift anyone could ask for Favorite track: porque syntax.
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avi syntax 06:08
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hypk syntax 06:03
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Acco synle 05:11
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neo0 05:01
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intro 02:07
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i dont need a shrink a measle already antidotes and anecdotes practicalities brie al in tea oh baby
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labeled as a bad character im god bitch snap snap hit you in your clavicle hum welcome to the wish i could see line how long goes wish could write this song (how write chorus) dont know first to last line cut thats a scene a -> b a.3 a/3 but no sea? (seeing) how line works second (sec in) dimensions no third "bring calvary in the limelight" fiery, cold 60 degrees go slow 2% percent milk cereal bowl i fucking have nothing to eat just having this shit all that i got dont know what to get 2 dollars in my bank account 50 cents, 2.5 actually if you count approximation *BOOOOOOOOOOOOOOOOOOO* dont know what im goind sitting near the playground at the back where im at staring how way of world works dizzy pass her buy religious manifestations in blurry and out of focus
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WILDWORLD'! 03:15
Derick: When you look at the whole big picture as one big thing, it's gonna be like, it looks super scary, but you take it like piece-by-piece, you can get through it. Derick: Having the same advisor for four years, they get a relationship with someone that's not just a teacher, a real person. Being able to be an important part of their lives. And you can see the maturity level that they take, and you see them change. You see the growth in them. Derick: It's stressful, lot of stuff going on, it happens. But you got it girl, you got it, you're smart! Gary: Advisory is a small group of students, fifteen typically with an Advisor. They stay with that advisor for four years. The Advisor speaks a lot on the behalf of the student to community members or internships. The Advisor's in constant communication with the parents. Anything that happens with that student, it's like it happens with you. Alex: I'm doing poetry, songwriting, a short story. That's another thing that I'm pretty iffy about when it comes to these things. Gary: So in that, just think about what gives you the best case scenario to be successful. Alex: Advisory gives a chance to work on all of our schoolwork from the day. And our Advisor, he will sit down with us and actually take the time to work one-on-one with us and make sure that we have what we need. Laura: The most important thing in ninth grade Advisory from Day One is setting what the culture will be like. Teaching them how to manage their time, their projects, due dates, syllabuses. Reflecting, journaling, we do that every day. That happens at the very beginning, so whatever I'm doing that I want them to kind of take with them all four years, it's something I model every day. Laura: Don't forget your Reflection's due Friday. Student: Yeah, Mr. Brown was just talking about that today. Laura: He talked about that today? Chae: Because of the relationships that you build within the Advisory, people feel comfortable saying, "Hey, this is what you've done well in. And these are some things that you should work on, because they will help you be better." When a student can relate and they know that you care, that makes a big difference. Laura: Just make sure you do the tracking for these two weeks. And if it were me, I might pick somebody in here who will hold you accountable, and make sure that they check in with you every Monday, Wednesday and Friday. Dexter: Advisory's important, because you could have people that will always help you. People that'll always support you. But if you fail, then there'll be there to pick up the pieces, and help me. Laura: Advisory is so fundamental because as they move forward they see it as a family, they see it as people they can trust. Gary: Everything good? Zetty: Yeah, everything's fine. Gary: Okay, mom's good? Has anybody called home and said, "Zetty is killing it. Zetty is doing so much better?" No. Okay, I need to do that. We have a very open and honest relationship. And really, there's nothing off-limits, and I like to take that approach, because I know at the end of the day that I know the real student. Okay, y'all, let's get it started, let's get it jumping. Every first Friday, we pick a menu, and every person has a responsibility. They bring in their food and we eat together and we hang together and we laugh together. Robert, the lasagna's good! Robert: Thank you! Gary: Did your mom make it? Robert: I made it. Gary: What?! Gary: That's just my way of bringing them all back to this space, and refocusing our energy and hitting home the idea that we're a unit, and we're moving forward. Robert: We've grown so close from freshman year. And whenever we have a personal issue, or school-related issue, we talk together as a class, and we try to help each other out all the time. Gary: Make sure that you look at your exhibition date and time and put that in your phone and tell your parents about it. Damon: He has given me the foundation to go out on my own and be able to succeed in everyday life. He's given me tools and wisdom that nobody else has given me. Derick: You don't really realize the impact you have on students until you really spend a lot of time with them, you know, and you see the growth in them. Gary: And what about, how do you feel? Zetty: I'm happier that my grades are better. Gary: I have this fulfillment at the end of the line, and you see this finished work, you understand the growth that was achieved, and they understand that, and that's what makes the journey worth doing. Gary: You feel like you've got it now? Alex: Yes, I think. Gary: Excellent! Alex: Really? [laughter]
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severe 05:52
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Busking 03:35
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Hospital 05:58
the feds knew
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[verse by glitz2hard] fold u have been fold thru years ago u have been fold can't have no fun
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bald man beat
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suki girlz is the best thing he has done
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icytwat leak 03:19
its icytwat because it is bad
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yeat leak 03:31
maybe hyperpop daily will make a post from this i dont know
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[verse by hubie] I'm a good boy on the track, no cussing Please do not give me any more flak, I am struggling I'm about to start crying in my bed, Evil Words spin around my head (Ha) I'm going Trash Star crazy (Ha) I'm Bladee, she call me Blade-e (Ha) Angel or demon maybe (Ha) I'm trying do what I can (Ha) Can you please comprehend me? Why can't you understand? I'll shine some glory on your life (I don't know) I am not anyone, I'm just some air inside the air A piece of sand in all the sand, drop of water in the ocean It may not seem that way, but I can promise you it's that But enough of that, I'm coming back, I jump right back into the trash Walk on promised roads (Ha), I could take a joke (Haha) Have you ever seen a ghost? (Ghost) Pop out, pop out like a toast, you woke up late, the breakfast's closed You know I don't brag (Brag) but I'm 'bout to boast (Ha) Fabrics on my body (Yeah), it's designer probably (Sheesh) Can't you see I'm litty? Rollin' like a trolley (Trolley) Won't come to your party (Party) 'cause your friends are boring (Boring) I'll be in the city (City), walking 'round like a tourist (Tourist)
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bye! [spoken word: hugh masekela] ...especially in all the cities of south africa. and it is music that is usually played by gentlemen who tried to make their living in cigarette salemen... ...and post boys and delivery boys and messenger boys.. and all kinds of other honorable posts that their employers can afford them.. at night some of these gentlemen get together and try and show each other whatever little they know of these instruments.. and comes fridays and saturday nights they take the damns alls and they play this music and they burn those places up 'till daybreak.
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TWEAK 01:17
hanging from the palm tree knife on the ceiling fan kaleidoscopic man run run RUN RUN RUN __ IT TAKES STRENGTH TO TAKE A PILL WITHOUT LIQUID TO KEEP AFLOAT WHAT HAVE I DONE TO DESERVE THIS! __ i need to think,
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ELEVATE 02:38
this elevator music is killing me i wonder how my baby is doing... __ CAN ANYBODY HEAR ME __ fuck i missed the 49 man i forgot to brush my teeth its shredding, feels grainy thats alright
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heat 1. BLUE 00:25
FUCK BRAIN DONT MAKE ME LOSE CONSCIOUSNESS HOW THE FUCK DO YOU GET OUT OF THESE CHAINS HURRY UP ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช
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ATSHITSHI. 02:14
why is it all of these dispensaries got these bitches wearin suits n shit they TWEAKin. i need a fix im just gonna ignor all these serious asses n go in like is this the matrix wtf!\\\\ at least i can cheef out wit the friends later prolly idk echoooooooooooooooooooooo
55.
BLEW 00:57
๐™ƒ๐™š drowns ๐™๐™š๐™ง ๐™ช๐™ฃ๐™ฉ๐™ž๐™ก ๐™จ๐™๐™š ๐™ž๐™จ ๐™ช๐™ฃ๐™–๐™—๐™ก๐™š ๐™ฉ๐™ค ๐™ช๐™จ๐™š ๐™๐™š๐™ง ๐™ฃ๐™š๐™ง๐™ซ๐™ค๐™ช๐™จ ๐™จ๐™ฎ๐™จ๐™ฉ๐™š๐™ข ๐™ฉ๐™ค ๐™ฌ๐™ž๐™ฉ๐™๐™จ๐™ฉ๐™–๐™ฃ๐™™ ๐™ฉ๐™๐™š ๐™ฅ๐™ง๐™š๐™จ๐™จ๐™ช๐™ง๐™š ๐™ค๐™ฃ ๐™๐™š๐™ง ๐™—๐™–๐™˜๐™ . ๐™ƒ๐™š๐™ง ๐™Ÿ๐™–๐™™๐™š ๐™ฃ๐™š๐™˜๐™ ๐™ก๐™–๐™˜๐™š ๐™–๐™ก๐™ข๐™ค๐™จ๐™ฉ ๐™ฃ๐™š๐™–๐™ง๐™ก๐™ฎ ๐™—๐™ง๐™š๐™–๐™ ๐™จ ๐™›๐™ง๐™ค๐™ข ๐™ฉ๐™๐™š ๐™ฉ๐™š๐™ฃ๐™จ๐™ž๐™ค๐™ฃ. ๐˜ผ ____ ๐™‰๐™ž๐™œ๐™๐™ฉ ๐˜ฟ๐™ง๐™š๐™–๐™ข, ๐™จ๐™๐™š ๐™ฉ๐™๐™ค๐™ช๐™œ๐™๐™ฉ. ๐™ƒ๐™š๐™ง ๐™‰๐™ค๐™ ๐™ž๐™– ๐™ฅ๐™๐™ค๐™ฃ๐™š ๐™ฉ๐™๐™–๐™ฉ ๐™จ๐™๐™š ๐™—๐™ค๐™ง๐™ง๐™ค๐™ฌ๐™š๐™™ ๐™›๐™ง๐™ค๐™ข ๐™– ๐™‚๐™ค๐™ค๐™™๐™ฌ๐™ž๐™ก๐™ก ๐™จ๐™ฉ๐™ค๐™ง๐™š ๐™ง๐™ž๐™ฃ๐™œ๐™จ, ๐™ฉ๐™ง๐™–๐™ž๐™ก๐™ž๐™ฃ๐™œ ๐™—๐™š๐™๐™ž๐™ฃ๐™™ ๐™๐™š๐™ง ๐™—๐™ง๐™ช๐™ž๐™จ๐™š๐™™ ๐™š๐™–๐™ง. ๐™๐™๐™š๐™ฎ ๐™—๐™ค๐™ฉ๐™ ๐™ฌ๐™š๐™ง๐™š ๐™ ๐™ž๐™˜๐™ ๐™š๐™™ ๐™ค๐™ช๐™ฉ ๐™ค๐™› ๐™ฉ๐™๐™š๐™ž๐™ง ๐™ค๐™ฌ๐™ฃ ๐™๐™ค๐™ข๐™š๐™จ ๐™›๐™ค๐™ง ๐™ฃ๐™ค๐™ฉ ๐™ฅ๐™–๐™ฎ๐™ž๐™ฃ๐™œ ๐™ฉ๐™๐™š '๐™ง๐™š๐™ฃ๐™ฉ๐™จ. ๐™๐™๐™š ๐™จ๐™ฅ๐™š๐™š๐™™ ๐™ก๐™ž๐™ข๐™ž๐™ฉ ๐™ฌ๐™–๐™จ 35 ๐™ž๐™ฃ ๐™ฉ๐™๐™š ๐™–๐™ง๐™š๐™–, ๐™ฉ๐™๐™š๐™ฎ ๐™ฌ๐™š๐™ฃ๐™ฉ 65, ๐™™๐™ง๐™ช๐™œ๐™œ๐™š๐™™ ๐™ช๐™ฅ ๐™–๐™ฃ๐™™ ๐™ง๐™ช๐™ฃ๐™ฃ๐™ž๐™ฃ. ๐˜ฟ๐™ง๐™ค๐™ฅ๐™ฅ๐™š๐™™ ๐™– ๐™—๐™–๐™œ ๐™ค๐™› ๐™ง๐™–๐™˜๐™ ๐™จ ๐™ค๐™ฃ ๐™ฉ๐™๐™š ๐™›๐™ง๐™š๐™š๐™ฌ๐™–๐™ฎ, ๐™๐™š ๐™œ๐™š๐™ฉ๐™จ ๐™ง๐™š๐™–๐™ก ๐™ฅ๐™ž๐™จ๐™จ๐™š๐™™, ๐™จ๐™ฉ๐™–๐™ง๐™ฉ๐™จ ๐™ข๐™ช๐™ข๐™—๐™ก๐™ž๐™ฃ๐™œ ๐™–๐™ฃ๐™™ ๐™œ๐™ง๐™ช๐™ข๐™—๐™ก๐™ž๐™ฃ๐™œ ๐™ก๐™ž๐™ ๐™š ๐™˜๐™ง๐™–๐™ฏ๐™ฎ. ๐™๐™๐™š๐™ฎ ๐™ฅ๐™ช๐™ก๐™ก๐™š๐™™ ๐™ค๐™ซ๐™š๐™ง ๐™ฉ๐™ค ๐™ฉ๐™๐™š ๐™จ๐™๐™ค๐™ฅ, ๐™–๐™ฃ๐™™ ๐™จ๐™๐™š ๐™ฌ๐™–๐™จ ๐™›๐™ค๐™ง๐™˜๐™š๐™™ ๐™ฉ๐™ค ๐™—๐™š ๐™ก๐™ค๐™˜๐™ ๐™š๐™™ ๐™ž๐™ฃ ๐™ฉ๐™๐™š ๐™˜๐™ก๐™ค๐™จ๐™š๐™ฉ ๐™›๐™ค๐™ง ๐™–๐™ฃ ๐™ž๐™ฃ๐™™๐™š๐™ฉ๐™š๐™ง๐™ข๐™ž๐™ฃ๐™–๐™ฉ๐™š ๐™–๐™ข๐™ค๐™ช๐™ฃ๐™ฉ ๐™ค๐™› ๐™ข๐™ž๐™ฃ๐™ช๐™ฉ๐™š๐™จ, ๐™ข๐™–๐™ฎ๐™—๐™š ๐™๐™ค๐™ช๐™ง๐™จ, ๐™ฌ๐™š๐™š๐™ ๐™จ ๐™š๐™ซ๐™š๐™ฃ. ๐™ˆ๐™ž๐™™๐™ฃ๐™ž๐™œ๐™๐™ฉ ๐™˜๐™ค๐™ข๐™š๐™จ, ๐™๐™š ๐™–๐™ฃ๐™จ๐™ฌ๐™š๐™ง๐™จ ๐™ฉ๐™๐™š ๐™ฅ๐™๐™ค๐™ฃ๐™š. "๐™ƒ๐™€๐™‡๐™‡๐™Š?" ๐™ž๐™ฉ ๐™จ๐™–๐™ฎ๐™จ. ๐™๐™๐™š ๐™—๐™ก๐™ช๐™š ๐™ก๐™ž๐™œ๐™๐™ฉ ๐™š๐™ข๐™–๐™ฃ๐™–๐™ฉ๐™ž๐™ฃ๐™œ ๐™›๐™ง๐™ค๐™ข ๐™ฉ๐™๐™š ๐™›๐™ก๐™ž๐™ฅ ๐™ฅ๐™๐™ค๐™ฃ๐™š ๐™ฌ๐™–๐™จ ๐™ฉ๐™๐™š ๐™ค๐™ฃ๐™ก๐™ฎ ๐™ก๐™ž๐™œ๐™๐™ฉ ๐™จ๐™ค๐™ช๐™ง๐™˜๐™š ๐™ž๐™ฃ ๐™ฉ๐™๐™š ๐™ฅ๐™š๐™ง๐™ž๐™ข๐™š๐™ฉ๐™š๐™ง ๐™š๐™ญ๐™˜๐™ก๐™ช๐™™๐™ž๐™ฃ๐™œ ๐™ฉ๐™๐™š ๐™™๐™ž๐™ข๐™ก๐™ฎ ๐™ก๐™ž๐™ฉ ๐™—๐™ช๐™ฉ ๐™ฃ๐™š๐™ฌ๐™ก๐™ฎ ๐™ง๐™š๐™›๐™ช๐™ง๐™—๐™ž๐™จ๐™๐™š๐™™ ๐™ก๐™ž๐™œ๐™๐™ฉ๐™—๐™ช๐™ก๐™— ๐™ช๐™ฅ ๐™ค๐™ฃ ๐™ฉ๐™๐™š ๐™จ๐™ค๐™ง๐™ฉ-๐™ค๐™›-๐™˜๐™ง๐™–๐™˜๐™ ๐™š๐™™ ๐™—๐™–๐™ฉ๐™๐™ง๐™ค๐™ค๐™ข ๐™˜๐™š๐™ž๐™ก๐™ž๐™ฃ๐™œ. "๐™ƒ๐™€๐™‡๐™‡๐™Š? ๐™ƒ๐™€๐™‡๐™‡๐™Š?" ๐™๐™š ๐™๐™–๐™ฃ๐™œ๐™จ ๐™ช๐™ฅ ๐™ฉ๐™๐™š ๐™ฅ๐™๐™ค๐™ฃ๐™š ๐™ค๐™ช๐™ฉ ๐™ค๐™› ๐™–๐™ฃ๐™ฃ๐™ค๐™ฎ๐™–๐™ฃ๐™˜๐™š ๐™–๐™ฃ๐™™ ๐™˜๐™ค๐™ฃ๐™›๐™ช๐™จ๐™ž๐™ค๐™ฃ. ๐™ƒ๐™š ๐™ฌ๐™–๐™จ ๐™™๐™š๐™š๐™ฅ ๐™ž๐™ฃ๐™ฉ๐™ค ๐™ฉ๐™๐™š ๐™˜๐™ค๐™ฃ๐™ซ๐™š๐™ง๐™จ๐™–๐™ฉ๐™ž๐™ค๐™ฃ ๐™ฉ๐™๐™–๐™ฉ ๐™๐™š ๐™˜๐™ค๐™ช๐™ฃ๐™ฉ๐™š๐™™ ๐™š๐™ญ๐™–๐™˜๐™ฉ๐™ก๐™ฎ 24 ๐™ฉ๐™ž๐™ข๐™š๐™จ ๐™ฉ๐™๐™š ๐™˜๐™–๐™ก๐™ก๐™š๐™ง ๐™š๐™ญ๐™˜๐™ก๐™–๐™ž๐™ข๐™š๐™™ "๐™๐™š๐™ก๐™ก๐™ค". ๐™ƒ๐™š ๐™จ๐™˜๐™ค๐™›๐™›๐™จ ๐™›๐™ค๐™ง ๐™– ๐™ก๐™ž๐™ฉ๐™ฉ๐™ก๐™š ๐™—๐™ž๐™ฉ, ๐™˜๐™ค๐™ฃ๐™ฉ๐™ž๐™ฃ๐™ช๐™ž๐™ฃ๐™œ ๐™ฉ๐™ค ๐™ฌ๐™–๐™ฉ๐™š๐™ง๐™—๐™ค๐™–๐™ง๐™™ ๐™ฉ๐™๐™š ๐™œ๐™ž๐™ง๐™ก, ๐™จ๐™ฉ๐™ค๐™ฅ๐™ฅ๐™ž๐™ฃ๐™œ ๐™–๐™ฃ๐™™ ๐™ก๐™–๐™ฎ๐™ž๐™ฃ๐™œ ๐™๐™š๐™ง ๐™™๐™ค๐™ฌ๐™ฃ ๐™ค๐™ฃ ๐™ฉ๐™๐™š ๐™›๐™ก๐™ค๐™ค๐™ง ๐™œ๐™š๐™ฃ๐™ฉ๐™ก๐™ฎ ๐™˜๐™ค๐™ฃ๐™ฉ๐™ง๐™–๐™จ๐™ฉ๐™ž๐™ฃ๐™œ ๐™ฉ๐™ค ๐™ฉ๐™๐™š ๐™›๐™ค๐™ง๐™˜๐™š๐™›๐™ช๐™ก ๐™™๐™ช๐™ฃ๐™ ๐™ž๐™ฃ๐™œ. He pressed his foot down on the back so hard that it left a crease on his dress shoes. He leaves a roach on her mouth. ๐™ƒ๐™š ๐™ก๐™š๐™–๐™ซ๐™š๐™จ ๐™–๐™œ๐™–๐™ž๐™ฃ ๐™–๐™ฃ๐™™ ๐™ง๐™ž๐™™๐™š๐™จ ๐™– ๐™ก๐™ž๐™ข๐™ค ๐™ฉ๐™ค ๐™ฉ๐™๐™š ๐™˜๐™ก๐™ช๐™— ๐™ค๐™ฃ 21๐™จ๐™ฉ ๐™จ๐™ฉ๐™ง๐™š๐™š๐™ฉ.
56.
57.
949 00:23
TURN OFF THAT SHIT AND LOOK BACK AT ME.
58.
ON BLAST 01:05
STRESSED OUT HELP ME I NEED TO FIND A NEAREST EMERGENCY CENTER "im sorry i cant help you" FUCK OH GOD OH GOD OH GOD OH GOD MY HEAD IS BLEEDING IM STILL LOCKED IN MY CUFFS CAN YOU PLEASE HELP ME GET THEM OFF "im sorry i cant help you" "im sorry i cant help you" "im sorry i cant help you" "im sorry i cant help you" "im sorry i cant help you" "im sorry i cant help you" "im sorry i cant h e lp y ou" "im sorry i c a n t h e l p y o u" "i m s o r r y i c a n t h e l p y o u" ......... |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| this punk show sucks "sorry i made u come here my brother was playing on the stage" thats alright lets enjoy for like a minute then lets actually party
59.
"37.742518416714034, -122.42249188465814 COME THRU>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> catch me in the weekdays ill probably be there" this place got banging shit god daaaaaaaamn wooo! !F!!! !!F! F!F !F F fuck ! (i will leak your fucking coords too if u not wary)
60.
yadaDADA 03:53
alright that was a good minute lets get out of here and actually have a good time baby
61.
I CANT DO anythING...________ she kneels down and screams as loudly as she can, carrying the weight of her face up so she cant fall down more. at last she tries to forcefully rid herself of the cuffs by using a rusty-pointed sharp object on the side of the alley she shrivels in pain but continues
62.
ram hard until my teeth are BLEEDING slam on the brakes till my bitch is BREATHING HEAVY, HEAVY, HEAVY. i fucking love you girl i want to marry you i want to marry you. you like that girl more where that came from raw doggin in the back freak give me that needle give me that needle i said give me that fuckin needle bitch come on give me that NEEDLE
63.
"samson was a dude i met around 201u7, 201u28 who ran away from his home and lived on the streets for 9 years, he had a phone for some reason and always fucking kept it around. he gave me his number and texted me for days, think like fucking weeks. and he sent me... he sent me sum scary ass drawings that he did throughout his life, and kept venting and venting and fucking venting about his problems. every day i read those texts, all of them, even though i met this dude like 2 or 3 times, i read that shit. all of it. fucked me up" P P P P P P P P P P
64.
oh shit. oh my heart is hurting oh fuck
65.
the faul 10:53
when we crossed paths in the alleyway i didnt know what to do except run. he runs with precision, and she runs vigoruously but not with much passion. they go on a rat chase, which ends when he suffers a heart attack from drugs and alcohol inside of his body. he falls down on the floor and vomits. she looks at him, kicks him in the fucking head and stomps on it until it left a crease on her ##### shoes. she leaves a smoke in his mouth. she falls unconscious from the blood loss.
66.
OUTRO 02:33
drowning in a sea in a dream.
67.
(see 'porque syntax' from snt1, 'glass american (1)' from snt3)
68.
blast off! 05:04
(see 'scoeor syntax' from snt1, 'karmatrine' from snt7, 'mutante importante', 'excesS session 3' from snt5, 'hypk syntax' from snt1, 'yeat leak' from snt10)
69.
LULLABY 06:23
(see 'altair syntax' from snt1, 'act 3 _junks and drendles_' from snt4, 'acco synle' from snt2, 'severe' from snt9, 'cast and call' from snt4, 'yuto BLOODLINE x[----]x' from snt8)
70.
(see '9 deg 33' 6.207"' from snt2, 'Simple Minds meet Simple Things' from snt9, 'STABILIZER' from snt7, 'no agreements secret set', 'heat 2. _ on fire' from snt11)
71.
(see 'HALT' from snt7, 'lofty305 leak' from snt10)
72.
(see 'wing illusion' from snt9, '.1783276621' from snt6, '0.686868686' from snt6, 'afrogeriatric 2' from snt3, 'SAY YO PRAYERS' from snt7, 'Glass american (2)' from snt3)
73.
(see 'johnny get your gun (over there)' from snt7, 'bonktape collection 1')
74.
goodbye! world burnin eve of destrukshion.. talk 2 me and tell me whats wrong whats wrekin yo mind at this tiiime u should take this then take off on a plane to the place u need to go before we head off (get our heads cut off). fly-by (bye). "the two of them reeling into western theme songs, the TV louder than whateverโ€™s coming." - the world is about to end and my grandparents are in love โœŒ.

about

SYNTAX 1-12. RECORDED AND RELEASED THROUGHOUT 2021.

ONE RELEASE EACH MONTH,
ONE MORE STEP INTO BALANCE, LUV, GROWTH.

TRANSMISSION OVER. GOODBYE.

credits

released December 25, 2021

syntax was recorded by floyd n friends throughout november 2020-november 2021. initially planned out around 2016 er 2015, this project was in the works for the longest time. we our proud of our versatility, our perseverance, and our passion. we couldnt believe that this project would actually finish to be honest, we thought that we would forget about it and move on to another project. but we did it! we thank u for listening to this project for the past couple months, we really appreciate it. we luv u all. we wholeheartedly wish that you stick around for more releases in 2022 and beyond. like to shoutout our friends, online and in real life, and the main man who worked extensively for this, big floyd. we luv u all. goodbye!!

- NTIX


SNTX001:
Music produced and arranged by gary olione (?) [bnk]
artwork by the porg (rich n floyd)

SNTX002:
produced and mixed by bonkoloid
cover by the porg

SNTX003:
tracks 1-6 produced and mixed by bnk
Samples on bankshoot [dig a tree] curated by the bankshooter himself
afrogeriatric dedicated to my family

SNTX004:
produced by bonkoloid
tracks 1-3 recorded and produced in the enagmic studio in january 2021
tracks 4-6 recorded and produced in the NTIX compound in march 2021
cover by bonkoloid
mixed by bonkoloid
reversed by bonkoloid
manipulated by bonkoloid
breathing by bonkoloid
secret recordings by bonkoloid
DR-35 attempting by bonkoloid
audio mastering discussion by bonkoloid and danny p
written by bonkoloid and danny p

SNTX005:
produced and mixed by bonkoloid

SNTX006:
violins and cellos from aeolianquench (track 3)
muted trumpet from callie hill [calamicmetal] (track 3)
(track 2) samples fertilizer & bad religion from channel orange
piano, producing by bonkoloid (tracks 1-3, 5)
writing by bonkoloid (tracks 1-2)

SNTX007:
CDJs, DJ Software: Mast Li, Maury Pana, Alyssa Satsana, and Jules King
Violin: Alyssa Satsana
Piano: BLahmi
Stringed Double Bass: Wale
Images & Pictures Compiled by BLahmi & Jules

SNTX008:
music and art by bigbluntballer

SNTX009:
everything by bonkoloid

SNTX010:
LEAKS BY BIG LOID
"BONKGANGINVAZION" design by SUNN OWO (BIG UPS TO THE YENA RECORD COMPANY) twitter.com/RecordYena
"NTIX" LOGO BY THE PORG

SNTX011:
every video, every lyric, everything by floyd (praying fr u)
description/conversation by fizled/peslin at ~2:00 AM PST 10/31/21, edited to make it look professional by callie

SNTX012:
syntax by floyd

bless up.

-NTIXโ™พ

license

all rights reserved

tags

about

NTIX San Francisco, California

curated by bonkoloid
(goodbye!)

bonkoloid
aeolianquench
faxit
calamicmetal
ephase
dysphiation
glimid
skalion
danny p
fiszhled
carnelian
zxzzm
slacker
... more

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