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Syntax 11

by bonkoloid

supported by
Sunn OwO)))
Sunn OwO))) thumbnail
Sunn OwO))) This is like the most cracked out halloween album in existence. There's sound collages, jazz, dub, punk, trap, industrial, noise and you still sit there like "Yeah, these tracks makes sense being on the same album". Actually HOW... Favorite track: A TRIBYUT -tO THRIllHOUSe..
/
1.
TWEAK 01:17
hanging from the palm tree knife on the ceiling fan kaleidoscopic man run run RUN RUN RUN __ IT TAKES STRENGTH TO TAKE A PILL WITHOUT LIQUID TO KEEP AFLOAT WHAT HAVE I DONE TO DESERVE THIS! __ i need to think,
2.
ELEVATE 02:38
this elevator music is killing me i wonder how she doing... __ CAN ANYBODY HEAR ME __ fuck i missed the 49 man i forgot to brush my teeth its shredding, feels grainy thats alright
3.
heat 1. BLUE 00:25
๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช ๐—™๐—ข๐—Ÿ๐—Ÿ๐—ข๐—ช ๐— ๐—˜ ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—š๐—ฅ๐—”๐—ฉ๐—˜ ๐—œ๐—™ ๐—ง๐—›๐—˜ ๐——๐—”๐—ฌ ๐—™๐—œ๐—ก๐—ก๐—” ๐—˜๐—ก๐—— ๐—ฅ๐—œ๐—š๐—›๐—ง ๐—ก๐—ข๐—ช
4.
ATSHITSHI. 02:14
why is it all of these dispensaries got these bitches wearin suits n shit they TWEAKin. i need a fix im just gonna ignor all these serious asses n go in like is this the matrix wtf!\\\\ at least i can cheef out wit the friends later prolly idk echoooooooooooooooooooooo
5.
BLEW 00:57
she leaves
6.
"i remember that time where you went on and blasted that dudes head off with a red beer cup that moment where u had a ball eating that big ass sushi (on the come up with that reflex game) when u killed that arcade game and beat me and the worker too thats crazy--all that mattered at the end of the day was (c)-in' u home with that sedated smile" that's shakespeare "it is?" no its not im playin
7.
949 00:23
TURN OFF THAT SHIT AND LOOK BACK AT ME.
8.
ON BLAST 01:05
this punk show sucks "sorry i made u come here my brother was playing on the stage" thats alright lets enjoy for like a minute then lets actually party
9.
"37.742518416714034, -122.42249188465814 COME THRU>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> catch me in the weekdays ill probably be there" this place got banging shit god daaaaaaaamn wooo! !F!!! !!F! F!F !F F fuck ! (i will leak your fucking coords too if u not wary)
10.
yadaDADA 03:53
alright that was a good minute lets get out of here and actually have a good time
11.
I CANT DO anythING...________ she kneels down and screams as loudly as she can, carrying the weight of her face up so she cant fall down more. they shrivel in pain but continues
12.
ggs
13.
"samson was a dude i met around 201u7, 201u28 who ran away from his home and lived on the streets for 9 years, he had a phone for some reason and always fucking kept it around. he gave me his number and texted me for days, think like fucking weeks. and he sent me... he sent me sum scary ass drawings that he did throughout his life, and kept venting and venting and fucking venting about his problems. every day i read those texts, all of them, even though i met this dude like 2 or 3 times, i read that shit. all of it. fucked me up" P P P P P P P P P P
14.
oh shit. oh my heart is hurting oh fuck
15.
the faul 10:53
when we crossed paths in the alleyway i didnt know what to do except run. he runs with precision, and she runs vigoruously but not with much passion. they go on a rat chase, which ends when he falls down on the floor and vomits. she looks at him, kicks him in the head and stomps on it until it left a crease on her ##### shoes. she leaves a smoke in his mouth. falls unconscious from the blood loss.
16.
OUTRO 02:33
drowning in a sea in a dream.

about

this dude is helpless. when speaking to him on the phone he [blabbers on] screaming and gasping for breath, as he screams for help on his iphone microphone. it is audible that something is not right.

he sent me this tape with videos and everything at abt. 3:30 in the morning his time, this bitch is not ok rn. before it was rambles on and ON about this person he kidnapped and drowned, his increasing friend circle of bitches, drug dealers, and homeless people. The music is noisy, overwhelming, punky, no sign of ANY breathing room, whatsoever. this music sounds like snippets of a drugged out adventure of a city, with only small vivid memories to guide what happened.

This album feels like its an interrogation scene. theres fogged memory between two witnesses, an alcoholic who drives radically to whatever bar, show, or strip club he can get into, and a helpless victim of the man's alcoholism. they run and try to find help, while he tries to intoxicate himself until he can't feel anything anymore. its a fucking rampage.

it is halloween right now when im writing this shit and this is definitely a scary, chilling album. its fitting because it is the month of october but this schizophrenic feeling started even before this month. i havent talked to him that much compared to now where he looks devastated and crazy. i only hope that floyd is doing okay right now 'cause i hope that this is only temporary.

-ntix

credits

released October 31, 2021

every video, every lyric, everything by floyd (praying fr u)
description/conversation by fizled/peslin at ~2:00 AM PST 10/31/21, edited to make it look professional by callie

HE WAS FUCKING LATE UPLOADING THIS SO I HAD TO UPLOAD IT NOW SORRY THANK YOU BYE - callie

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NTIX San Francisco, California

curated by bonkoloid
(goodbye!)

bonkoloid
aeolianquench
faxit
calamicmetal
ephase
dysphiation
glimid
skalion
danny p
fiszhled
carnelian
zxzzm
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